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Literature

The One Hundred: Essential Works for the Symphonic Tenor Trombonist: A Review

By Peter Fielding • May 06, 2022 • 5 min read

The One Hundred: Essential Works for the Symphonic Tenor Trombonist CoverKanda, Megumi. The One Hundred: Essential Works for the Symphonic Tenor Trombonist, Second Edition. Encore Music Publishers, Maple City, MI, 2020. 184 pages, spiral bound. ISBN 978-1-63684-616-3.

This is an excellent collection of over 300 orchestral excerpts spanning 100 compositions, including some hard-to-obtain non-public domain repertoire (Figure 1). As with the first edition and its Japanese-language counterpart, Megumi Kanda's compilation includes performance and preparation advice. One of the strengths of this work is the identification of publication errors and providing corrected version in the excerpts. An example of the writing style, design layout, and music examples are shown in Figures 2-3.

Kanda's meticulous music engravings are augmented with composer biographical information penned by Charles "Chaz" Greenwell (1941 - 2020) and Byron Hanson (1942 - 2021); readily sharing their careers of brass and trombone-centric wisdom through their engaging narratives, such as for Charles-Camille Saint-Saäns and his third symphony: Trombonists are fortunate to have this unique cantabile in their repertoire, but also for the splendid Cavatina written by the composer who even in his 80th year followed precisely the recommendations of Berlioz: writing only the three pedal tones Berlioz recommended, approaching them only from the octave or fifth above, and providing the optional A♭ in place of the final high D♭, a pitch which Berlioz had labeled "Trés difficile!" (p.127). Imbuing these excerpts with such narratives are a fitting continuation of Greenwell and Hanson's legacies to broader audiences; a fine editorial decision of Encore Music Publishers to incorporate throughout their One Hundreds series, including this and those volumes for the Bass Trombone and Tuba.

The variety of excerpts with parts for full trombone section and occasional tuba enhance the works value for use in excerpts reading sessions. Kanda's collection is a strategic addition to your orchestral trombone library, augmenting the likes of Keith Brown, Ralph Sauer, Gordon Cherry, and Seth T. Vatt. For those wanting to learn more of Kanda's studio teaching, see Mike Lomas' review of Trombone Unlimited and for those interested in Encore Music Publishers bass trombone-focused guide to orchestral excerpts, see Donn Schaefer's review of Douglas Yeo's The One Hundred: Essential Works for the Symphonic Bass Trombonist.

Figure 1. Composers and compositions

Example 1. Use of the minor third in Sonata for Bass Trombone
Figure 2. Johannes Brahms Symphony No. 1 in C minor, Op. 68 (1876) (p.37)

Example 1. Use of the minor third in Sonata for Bass Trombone
Figure 3. Saint-Saëns Symphony No.3 in C minor "Organ", Op. 78, (p. 127)