Charles McKnight is Associate Professor of Music at the University of North Carolina at Asheville.
Charles McKnight • August 04, 2004
The essence of late Baroque violin music can be found in the solo sonatas of Arcangelo Corelli (1653-1713). Mike Hall has adapted the chamber sonatas (Nos. 7-12) of Corelli's Opus 5 for alto trombone, harpsichord, and double bass. The performances on this recording are beautiful and persuasive, both musically and technically.