TROMBONE-L Digest 2376 Topics covered in this issue include: 1) RE: Zen by richardt@LEE.ARMY.MIL 2) Re: Yeo serpent photo gallery by "Adrian Drover" 3) RE: Reading Re: Motivation by richardt@LEE.ARMY.MIL 4) Re: Yeo serpent photo gallery by Earl Needham 5) Joke list by Earl Needham 6) Re: Reading Re: Motivation by BassBonist@aol.com 7) Re: Zen by "Rod Ellard" 8) Re: Zen by Phil Larson 9) Re: Zen by sabutin 10) Mingus Big Band by Steve Cordingley 11) Re: Joke list by Steve Cordingley 12) Re: =?iso-8859-1?q?LA_Times=3A_Cuban_Trombone_Master's_Album_Signals_a_Dawnin?= =?iso-8859-1?q?g__D=E9tente?= by Steve Cordingley 13) Nigerian SCAM stuff by Earl Needham 14) Richard Peaslee's date by "Brennan Arceneaux" 15) Re: Nigerian SCAM stuff by Steve Cordingley 16) RE: Richard Peaslee's date by Steve Gamble 17) Tailgating? by "Johnson, Scott (TBS)" 18) Re: Tailgating? by Steve Cordingley 19) Re: Nigerian SCAM stuff by Walter Barrett 20) Re: Tailgating? by alex iles 21) Re: Tailgating? by "Richard B. Human, Jr." 22) Re: Richard Peaslee's date by Greg Bergantz 23) Re: Zen by Gabriel Langfur ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 13:12:21 -0400 From: richardt@LEE.ARMY.MIL To: sabutin@mindspring.com, trombone-l@po.missouri.edu Subject: RE: Zen Message-ID: <81F62454EA21B94EA95517180D7303730243FA8A@lee-is-102.lee.army.mil> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1F06A.308F93C0" Well said. It would piss Andrew Weil off, but still well said. (I'm not a fan of his anyway. (Oops, now I've pissed Oprah off.)) -----Original Message----- From: sabutin [mailto:sabutin@mindspring.com] Sent: Monday, April 29, 2002 11:03 PM To: trombone-l@po.missouri.edu Subject: Re: Zen All this talk of "Zen"... What IS "Zen"? It is one of a thousand ways that human beings have found to approach the secret that keeps itself. Music is another. You already study music. Why refer to Zen? S. ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 18:07:29 +0100 From: "Adrian Drover" To: , "Trombones and related issues forum." Subject: Re: Yeo serpent photo gallery Message-ID: <00dc01c1f069$c1ba9f30$577868d5@homel29g9mgyk9> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit From: "Earl Needham" > At 03:15 PM 4/29/2002 +0100, Adrian Drover wrote: > >Is that enough to start an "I'm ashamed to admit it" list? > > http://groups.yahoo.com/group/Ashamed_2_admit_it/ Good grief Earl! Do you want me to get beaten up by the saxophone community? I plead the fifth amendment. A. Adrian Drover ADIOS, Scotland www.adios.co.uk Personal email: adrian@adios.co.uk ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 13:29:38 -0400 From: richardt@LEE.ARMY.MIL To: steve@inside14.demon.co.uk, trombone-l@po.missouri.edu Subject: RE: Reading Re: Motivation Message-ID: <81F62454EA21B94EA95517180D7303730243FA8B@lee-is-102.lee.army.mil> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1F06C.9A7975B0" It's explained, though in a lot more words, in that definition of "choking." Can anyone help with the reference? I'd like to re-read that, but I can't recall the source. Basically it said the "choking" phenomenon in athletics was always related to excessive selfconsciousness.ÊÊ -----Original Message----- From: Steve Cordingley [mailto:steve@inside14.demon.co.uk] Sent: Tuesday, April 30, 2002 12:40 PM To: Trombones and related issues forum. Subject: Re: Reading Re: Motivation Steve Gamble said: >I try to explain this (what I think you're saying) to my students thus: > >I started making less mistakes the moment I stopped caring if I made them. > >They usually don't get it, though. They really are SOOO concerned about >playing right notes. Their usual initial reaction is to think I have a bad >attitude. I guess that seems like something that anyone can fairly easily hold in their 'thinking brain' for a long time and then one day, suddenly, understand what you have said in their bones (or gut or your preferred symbolic place). I'll try it, but I don't think I've quite got it yet... STEVE C ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 12:28:48 -0600 From: Earl Needham To: trombone-l@po.missouri.edu Subject: Re: Yeo serpent photo gallery Message-ID: <4.2.2.20020430122800.00abfd80@pop3.norton.antivirus> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed At 06:07 PM 4/30/2002 +0100, Adrian Drover wrote: From: "Earl Needham" > At 03:15 PM 4/29/2002 +0100, Adrian Drover wrote: > >Is that enough to start an "I'm ashamed to admit it" list? > > http://groups.yahoo.com/group/Ashamed_2_admit_it/ Good grief Earl! Do you want me to get beaten up by the saxophone community? I plead the fifth amendment. Uh -- it doesn't apply outside the US?!? And would you believe it! I've already received two subscription requests! It's a JOKE, and the list will be taken down shortly. Earl Earl Needham, KD5XB, Clovis, New Mexico KD5XB-2>APW251,PCSAT-1*:=3425.83N/10313.55W-PHG7150/WinAPRS 2.5.1 -EARL_CLOVIS -251-<630> Did you get a letter from Nigeria offering a "deal"? See http://home.rica.net/alphae/419coal/ and http://www.crimes-of-persuasion.com/Crimes/Business/nigerian.htm ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 12:32:56 -0600 From: Earl Needham To: trombone-l@po.missouri.edu Subject: Joke list Message-ID: <4.2.2.20020430123237.00abfd80@pop3.norton.antivirus> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed At 12:28 PM 4/30/2002 -0600, Earl Needham wrote: And would you believe it! I've already received two subscription requests! It's a JOKE, and the list will be taken down shortly. Both of those addresses bounce, BTW. Earl Earl Needham, KD5XB, Clovis, New Mexico KD5XB-2>APW251,PCSAT-1*:=3425.83N/10313.55W-PHG7150/WinAPRS 2.5.1 -EARL_CLOVIS -251-<630> Did you get a letter from Nigeria offering a "deal"? See http://home.rica.net/alphae/419coal/ and http://www.crimes-of-persuasion.com/Crimes/Business/nigerian.htm ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 20:18:57 EDT From: BassBonist@aol.com To: trombone-l@po.missouri.edu Subject: Re: Reading Re: Motivation Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Steve Gamble said: >I try to explain this (what I think you're saying) to my students thus: > >I started making less mistakes the moment I stopped caring if I made them. Eloise Ristad put it another way in her book, "A Soprano on Her Head" : "Give yourself permission to fail." This is a very liberating concept. It does NOT mean, "go ahead and play badly-who cares." It means that the world won't crack open and swallow you whole if you make some mistakes. Matt Varho ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 20:38:31 -0700 From: "Rod Ellard" To: "Trombones and related issues forum." Subject: Re: Zen Message-ID: <000901c1f0c1$aad58980$61cffea9@rodcomp> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit ----- Original Message ----- From: "Rod Ellard" To: Sent: Tuesday, April 30, 2002 6:55 PM Subject: Re: Zen > > > > >All the Zen stories reminds me of the non-Zen story in the papers last > fall > > >that suggested the tremendous interest in Buddhism in Silicon Valley was > the > > >result of people wishing to empty their mind so they could get more work > > >done. > > > > > >What will it be today? Zazen or long tones? > > > > > > ========== > > > > You mean there's a difference? > > > > S. > > > No one whacks you with a stick when you do long tones. Otherwise, Phil > Teele is the bodhisattva. Rod > ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Tue, 30 Apr 2002 21:18:30 -0700 From: Phil Larson To: "Trombones and related issues forum." Subject: Re: Zen Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit I completely agree. For me, doing Phil's long tones is a very "Zen-like," never used those terms myself, experience. And it helps me to relax, and I will noticeably feel different (playing and otherwise) if I don't do them one day. Or it could be the vibrations on those low notes all the time, who knows.... Phil Larson P.S. I spent some time at Steve Ferguson's place this weekend checking out some bass trombones, and I think I'm beginning to fall in love with the new Conn 62h. Maybe it's just coming from the Yamaha 612R2 is the problem, but who knows. If you're reading this Steve, the check should be in the mail this weekend. On 4/29/02 8:01 PM, "sabutin" wrote: >> All the Zen stories reminds me of the non-Zen story in the papers last fall >> that suggested the tremendous interest in Buddhism in Silicon Valley was the >> result of people wishing to empty their mind so they could get more work >> done. >> >> What will it be today? Zazen or long tones? > > > ========== > > You mean there's a difference? > > S. > > ---snip--- > ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 00:42:13 -0400 From: sabutin To: trombone-l@po.missouri.edu Subject: Re: Zen Message-ID: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" > >All the Zen stories reminds me of the non-Zen story in the papers last fall >that suggested the tremendous interest in Buddhism in Silicon Valley was the >result of people wishing to empty their mind so they could get more work >done. > >What will it be today? Zazen or long tones? > ========== > You mean there's a difference? S. No one whacks you with a stick when you do long tones. Otherwise, Phil Teele is the bodhisattva. Rod ========= My neighbors WANT to...does that count? S. ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 11:54:19 +0100 From: Steve Cordingley To: "Trombones and related issues forum." Subject: Mingus Big Band Message-ID: MIME-Version: 1.0 Content-Type: text/plain;charset=us-ascii;format=flowed Hi List, I've just seen that the Mingus Big Band is at Ronnie Scott's in London at the end of July. Anyone know anything about the trombone section? Is Jimmy Knepper a part of that setup? Best regards, STEVE C ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 12:06:12 +0100 From: Steve Cordingley To: "Trombones and related issues forum." Subject: Re: Joke list Message-ID: <3BCOl5Bkw8z8EwWY@inside14.demon.co.uk> MIME-Version: 1.0 Content-Type: text/plain;charset=us-ascii;format=flowed At 12:28 PM 4/30/2002 -0600, Earl Needham wrote: And would you believe it! I've already received two subscription requests! It's a JOKE, and the list will be taken down shortly. Both of those addresses bounce, BTW. Earl Did you get a letter from Nigeria offering a "deal"? Yes, I got the Nigerian and joke email - didn't realise they came via the List. The Nigerian scam is quite well known in the UK. The joke list, less so... STEVE C See http://home.rica.net/alphae/419coal/ and http://www.crimes-of-persuasion.com/Crimes/Business/nigerian.htm ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 12:37:49 +0100 From: Steve Cordingley To: dcrane@rmi.net Cc: "Trombones and related issues forum." Subject: Re: LA Times: Cuban Trombone Master's Album Signals a Dawning DŽtente Message-ID: <4Q4dB$CNO9z8EwHg@inside14.demon.co.uk> MIME-Version: 1.0 Content-Type: text/plain;charset=iso-8859-1;format=flowed Content-Transfer-Encoding: 8bit Doug Crane wrote: Saturday, April 13, 2002 Cuban Trombone Master's Album Signals a Dawning DŽtente Trombonist Generoso Jimenez's new CD is his first in many years. Album title: Generoso Que Bueno Toca Usted Consider the recently released album by Generoso Jimenez, the renowned Cuban trombonist and arranger famous for helping create the 1950s big-band sound of Afro Cuban icon Beny MorŽ. Thanks for posting this Doug. I've been looking out for the CD, and searched a few sites without turning anything up. Did you get a copy? Do you know the label name?, that kind of thing? Anything you can point me towards would be much appreciated. Thanks STEVE C ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 01 May 2002 07:09:59 -0600 From: Earl Needham To: trombone-l@po.missouri.edu Subject: Nigerian SCAM stuff Message-ID: <4.2.2.20020501070751.00abcbf0@pop3.norton.antivirus> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed At 12:06 PM 5/1/2002 +0100, Steve Cordingley wrote: At 12:28 PM 4/30/2002 -0600, Earl Needham wrote: And would you believe it! I've already received two subscription requests! It's a JOKE, and the list will be taken down shortly. Both of those addresses bounce, BTW. Earl Did you get a letter from Nigeria offering a "deal"? Yes, I got the Nigerian and joke email - didn't realise they came via the List. They didn't. They nearly always come DIRECT to the recipient. Earl Earl Needham, KD5XB, Clovis, New Mexico KD5XB-2>APW251,PCSAT-1*:=3425.83N/10313.55W-PHG7150/WinAPRS 2.5.1 -EARL_CLOVIS -251-<630> Did you get a letter from Nigeria offering a "deal"? See http://home.rica.net/alphae/419coal/ and http://www.crimes-of-persuasion.com/Crimes/Business/nigerian.htm ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 08:25:16 -0500 From: "Brennan Arceneaux" To: "Trombones and related issues forum." Subject: Richard Peaslee's date Message-ID: <001801c1f113$a266c000$8c9dcdd1@computer> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit On my upcoming recital, I'm doing Richard Peaslee's Arrows of time... anyone have any idea in what year he was born? The program notes for the piece dont say. Brennan Arceneaux bren77@i-55.com Masters Student: Southeastern Louisiana University Ovation Brass Quintet ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 14:54:18 +0100 From: Steve Cordingley To: "Trombones and related issues forum." Subject: Re: Nigerian SCAM stuff Message-ID: MIME-Version: 1.0 Content-Type: text/plain;charset=us-ascii;format=flowed Yes, I got the Nigerian and joke email - didn't realise they came via the List. They didn't. They nearly always come DIRECT to the recipient. Earl Sorry, I misunderstood the email. STEVE C ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 07:02:02 -0700 From: Steve Gamble To: "'bren77@i-55.com'" , "Trombones and related issues forum." Subject: RE: Richard Peaslee's date Message-ID: <01C1F0DE.191CAC40.sgamble@tucsonsymphony.org> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit 1949 Steve Gamble Librarian Tucson Symphony Orchestra 2175 N. 6th Ave. Tucson, AZ 85705 (520) 792-9155 x118 (520) 792-9314 fax sgamble@tucsonsymphony.org -----Original Message----- From: Brennan Arceneaux [SMTP:bren77@i-55.com] Sent: Wednesday, May 01, 2002 6:25 AM To: Trombones and related issues forum. Subject: Richard Peaslee's date On my upcoming recital, I'm doing Richard Peaslee's Arrows of time... anyone have any idea in what year he was born? The program notes for the piece dont say. Brennan Arceneaux bren77@i-55.com Masters Student: Southeastern Louisiana University Ovation Brass Quintet ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 10:39:25 -0400 From: "Johnson, Scott (TBS)" To: "Trombone-l (E-mail)" Subject: Tailgating? Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1F11C.E480C3FB" All, I've heard the term "Tailgate Trombone" and was wondering what are the characteristics of this style? (Seriously. No "sock in the bell and miss notes like a French Horn" comments if you can restrain yourselves... ;-) I have heard that the name originated from small (Dixieland? New Orleans jazz?) groups "touring" around town in the crowded back of a truck; the trombonist only had room to play by aiming his slide over the truck's tailgate. So, what is Tailgate Trombone-ing? Thanks! Scott Johnson Conyers, GA USA ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 16:01:36 +0100 From: Steve Cordingley To: Scott.Johnson@turner.com Cc: "Trombones and related issues forum." Subject: Re: Tailgating? Message-ID: MIME-Version: 1.0 Content-Type: text/plain;charset=us-ascii;format=flowed Scott Johnson said: All, I've heard the term "Tailgate Trombone" and was wondering what are the characteristics of this style? (Seriously. No "sock in the bell and miss notes like a French Horn" comments if you can restrain yourselves... ;-) I have heard that the name originated from small (Dixieland? New Orleans jazz?) groups "touring" around town in the crowded back of a truck; the trombonist only had room to play by aiming his slide over the truck's tailgate. So, what is Tailgate Trombone-ing? This might be a different thing but I know that Jack Teagarden was nick named the 'swingin' gate' - at least he is on some of my old LPs... STEVE C ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 01 May 2002 11:45:51 -0400 From: Walter Barrett To: , "Trombones and related issues forum." Subject: Re: Nigerian SCAM stuff Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Thus spake, not Zarathustra, but Earl Needham... >>> Did you get a letter from Nigeria offering a "deal"? >> >> Yes, I got the Nigerian and joke email - didn't realise they came via the >> List. > > They didn't. They nearly always come DIRECT to the recipient. > > Earl > > > Earl Needham, KD5XB, Clovis, New Mexico > KD5XB-2>APW251,PCSAT-1*:=3425.83N/10313.55W-PHG7150/WinAPRS 2.5.1 > -EARL_CLOVIS -251-<630> > Did you get a letter from Nigeria offering a "deal"? See > http://home.rica.net/alphae/419coal/ and > http://www.crimes-of-persuasion.com/Crimes/Business/nigerian.htm Hey Earl_ I think you jinxed me, I just got one of those Nigerian Scam spams. This one was from a SAKA TINUBU. Hmmm, wonder if he's related to Sabutin? (I doubt it...) -- Walter Barrett "I once knew a viola player who was so out of tune, even the other guys in his own section noticed." -Adrian Drover Yamaha Artist/Clinician Tenor, Alto, Bass Trombones Euphonium Bass Trumpet Tuba ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 01 May 2002 07:58:41 -0800 From: alex iles To: Scott.Johnson@turner.com Cc: "Trombones and related issues forum." Subject: Re: Tailgating? Message-ID: <3CD01079.2E77CBAD@earthlink.net> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------A796F16F0A65CA44332301D8" Hi all, You're on the right track, Scott. That is the usual description of the term. "Tailgate" refers to one type of trombone playing that developed around the turn of the 20th century. It is associated today with "dixieland" and other "New Orleans" style jazz. In a traditional jazz "front line" consisting of trumpet, clarinet and trombone, each player has a specific role to play in ensemble playing[which is often not written or arranged in a "formal" way]. The role of the trombone [check out early Louis Armstrong records for what this sounds like--Kid Ory was the most famous of the tailgate bone players] is to fill the line between the trumpet and the bass line. Sometimes the tailgater will play in harmony with the melody [trumpet], play the bass line [with the tuba or bass], or play a counter-melody [a little like a trombone part from a Sousa march]. Sometimes all three choices within a few bars!! With well placed glisses, to lead in and out of sections of the tune [V-I resolutions especially], the trombone fills out the sound of the harmony. The part played depends largely on the whim/taste of the player. There are certain parts conventionally played by the bone, though... I am thinking of the traditional parts on tunes like "That's a Plenty" and "South Rampart St."...the trombone actually picks up the melody on sections of these tunes. One of the great things about Jack Teagarden is that his style consisted of less glisses and effects and capitalized on his superior melodic shapes as an improvisor [and in higher registers than the "gutbucket" players preceding him]. The "Chicago Style " of jazz that developed in the late 20's was in large part due to Teagarden's redefining the role of the trombone in the front line of an ensemble. Playing great tailgate and traditional jazz trombone can be a real adventure. It is one of the only examples in jazz where the bone actually has to think something like a rhythm section player in his/her ensemble playing. It really is it's own language. And that language has MANY dialects [one for each player!!]. Other trad players you might keep an ear out for... Miff Mole, Big Jim Robinson, Honore Dutrey, Jimmy Archey. Other Teagarden-inspired players in trad-jazz circles [lighter, less gliss-dominated]...John Allred [also a fine modern player, but his trad roots run VERY deep!!] and Bob Havens. I also like the bone player with the Jim Cullum jazzband, Kenny Rupp. Learning to play "dixieland" and trad styles can be a great way to expand your musical horizons. It helps open/refine your ears and can provide a great avenue to develop yourself as an improvisor. Some of the most FUN I have ever had has been playing this kind of music. Get a group together, transcribe some tunes together and let loose!! [You can land some nice paying gigs once in a while playing trad jazz music too!!] Good luck... Alex ===================================================== "Johnson, Scott (TBS)" wrote: All, I've heard the term "Tailgate Trombone" and was wondering what are the characteristics of this style? (Seriously. No "sock in the bell and miss notes like a French Horn" comments if you can restrain yourselves... ;-) I have heard that the name originated from small (Dixieland? New Orleans jazz?) groups "touring" around town in the crowded back of a truck; the trombonist only had room to play by aiming his slide over the truck's tailgate. So, what is Tailgate Trombone-ing? Thanks! Scott Johnson Conyers, GA USA ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 01 May 2002 11:19:54 -0500 From: "Richard B. Human, Jr." To: , "Trombones and related issues forum." Subject: Re: Tailgating? Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Greetings, Dave Wilken wrote a pretty good introduction to the history of Jazz trombone styles, the first article of which addresses tailgating: http://trombone.org/articles/library/evojazz1.asp RH on 5/1/02 10:01 AM, Steve Cordingley at steve@inside14.demon.co.uk spake forth: > Scott Johnson said: >> All, >> >> I've heard the term "Tailgate Trombone" and was wondering what are >> the characteristics of this style? (Seriously. No "sock in the bell and >> miss notes like a French Horn" comments if you can restrain >> yourselves... ;-) I have heard that the name originated from small >> (Dixieland? New Orleans jazz?) groups "touring" around town in the >> crowded back of a truck; the trombonist only had room to play by >> aiming his slide over the truck's tailgate. >> So, what is Tailgate Trombone-ing? > > This might be a different thing but I know that Jack Teagarden was nick > named the 'swingin' gate' - at least he is on some of my old LPs... > > STEVE C > -- Dr. Richard Human Jr. richard@trombone.org Assistant Professor of Music Trombone and Music Theory Mississippi State University http://www.msstate.edu/dept/musiced/ Office: (662) 325-2871 Founder, Webmaster and Publisher trombone.org: A web site for trombonists. http://www.trombone.org/ ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 09:26:13 -0700 From: Greg Bergantz To: bren77@i-55.com, "Trombones and related issues forum." Subject: Re: Richard Peaslee's date Message-ID: <2721A8D0-5D20-11D6-80DF-0003934F876A@charter.net> Content-Type: text/plain; charset=US-ASCII; format=flowed Mime-Version: 1.0 (Apple Message framework v481) Content-Transfer-Encoding: 7bit Brennan, According to the liner notes that came with Alessi's NY Legends CD, Peaslee was born in 1930. He wrote the piece in 1993-1994. - Greg On Wednesday, May 1, 2002, at 06:25 AM, Brennan Arceneaux wrote: On my upcoming recital, I'm doing Richard Peaslee's Arrows of time... anyone have any idea in what year he was born? The program notes for the piece dont say. Brennan Arceneaux bren77@i-55.com Masters Student: Southeastern Louisiana University Ovation Brass Quintet ----__ListProc__NextPart____TROMBONE-L__digest_2376 Date: Wed, 1 May 2002 09:54:21 -0700 (PDT) From: Gabriel Langfur To: "Trombones and related issues forum." Subject: Re: Zen Message-ID: <20020501165421.13983.qmail@web10301.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii --- sabutin wrote: > >No one whacks you with a stick when you do long tones. > Otherwise, Phil > >Teele is the bodhisattva. Rod > > > ========= > > My neighbors WANT to...does that count? > > S. My downstairs neighbors love it - it puts their baby to sleep. Of course, her father is a trombone player. And my next-door neighbor is a professional drummer. And there's a performance artist and a soprano living in the house on the other side of him. And the people across the street have a latin-music singalong every couple of weeks. We have a regular conservatory on our little dead-end street in Jamaica Plain. It's great... Gabe __________________________________________________ Do You Yahoo!? Yahoo! Health - your guide to health and wellness http://health.yahoo.com ----__ListProc__NextPart____TROMBONE-L__digest_2376--