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There are 12 articles matching your criteria. Below are results 1 through 10.

The Takeover: A Review 

Trombonist Michael Deaseís and saxophonist Chris Madsenís collaborative effort, The Takeover, shows off both musicians equally well as performers and composer/arrangers. After listening to this debut CD itís quite clear why Dease and Madsen are in demand as sidemen for notables like Wynton Marsalis, Jimmy Heath, Wycliffe Gordon and the Lincoln Center Jazz Orchestra.

 

Edenderry: A Review 

Marshall Gilkesís debut solo album, Edenderry, will be a welcome addition to any jazz trombone fansí CD collection. his project provides a number of different sides to his musical personality, ranging from straight ahead bebop to contemporary post-bop styles to a refreshing treatment of the Rogers & Hammerstien classic This Nearly Was Mine. Overall, this is a very enjoyable CD and we will hopefully be able to look forward to more solo work by Marshall Gilkes in the near future.

 

Heart Disc: A Review 

Trombonist Robert Bachner is not a well known name among jazz fans in the United States. With his debut CD, Heart Disc, American jazz fans will finally have the opportunity to hear Bachnerís music without needing to travel to his native Austria. In addition to Bachnerís very compelling trombone playing and composition his sidemen all deserve mention as important contributors to Heart Disc. Christian Maurer (saxophones), Reinhard Micko (piano), Uli Langthaler (bass), and Christian Salfellner (drums) play very expressively and interact extraordinarily well with each other on this project.

 

An Introduction to Donald S. Reinhardt's Pivot System 
There is perhaps no other brass pedagogue whose teachings are so misunderstood and maligned than as that of Dr. Donald S. Reinhardt and his Pivot System for all brass instruments. Although Reinhardt's term "pivot" has been commonly used by many brass players and teachers, the Pivot System has been unfairly dismissed by brass teachers and players for decades. Today, with the addition of new research into brass playing that replicates Reinhardt's, as well as increased availability of information from former student's of Reinhardt's, there is a renewed interest in the Pivot System and the pedagogical genius of Reinhardt.

 

Lip Flexibilities for the Advanced Jazz Trombonist 
Good lip flexibility, meaning the ability to change quickly and smoothly between pitches, is an essential ability for any trombonist. This article is designed to help the jazz trombonist, although classical trombonists will find many of the exercises and routines described here helpful for developing all around good lip flexibility.

 

Jazz Improvisation for Beginners 
So you want to learn how to improvise jazz. "Where do I begin?" you might ask. You have worked hard to learn to read music, now how do you make it up on the spot? Use this introduction to get started!

 

Trombone Essentials: A Review 
Trombone Essentials, 11 Recital and Contest Solos for Tenor and Bass Trombone, edited by Douglas Yeo, is a well put together collection of new solos specifically arranged for the intermediate trombonist.

 

Gallery: A Review 
McKee's first album as a leader, is a long overdue chance for the listener to not only hear McKee stretch out and play some very well crafted improvisations, but also enjoy McKee's formidable skills as a composer/arranger.

 

The Evolution of the Jazz Trombone, Part Three: Bebop 
Because of the extremely fast lines found in Bebop, it seemed impossible to play in this style on the slide trombone. Some trombonists began to play the valve trombone in order to play the difficult lines. However, the most accomplished trombonists of Bebop learned to work with the slide and pushed forward the technical limits of the trombone. By the 1950's trombonists had once again secured their position as innovators of jazz, and continued to pioneer new trends in music.

 

Circuit Training: A Review 
A review of Peter Gane's method for young trombonists; published by Warwick Music.

 



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