A Witch's Spell and Animado: A Review
By: David Vining
These two unaccompanied offerings from Warwick Music were composed for the Repton Brass Festival 2001 and represent two distinct compositional styles. As always, Warwick's spiral bound editions are beautifully presented and strikingly attractive. [9/7/2001]
20 Pieces in Changing Meters: A Review
By: Donn Schaefer
20 Pieces in Changing Meters for Unaccompanied Trombone is a collection of etudes written for students in the 11th-12th grades or first year of college. [5/30/2002]
A Matter of Time: A Review
By: Craig Brenan
What is it about trombonists and their need to record with other trombonists? A Matter Of Time recorded by the New York Trombone Conspiracy enters the rich collection of trombone ensemble albums. [10/19/2003]
A-List: A Review
By: Kelly Beaman
It was a pleasure to hear and review this fine freshman production effort by virtuoso trombonist Reggie Watkins, a musician with a full arsenal of tools at his disposal. Even more impressive is his ability to compile a diverse and compelling set of works, produced on the fly over a short 3 day recording schedule, made even more challenging by the level of difficulty of these works. Thankfully, his fellow musicians made the process seemingly effortless, and one could tell that this was truly a team effort under Watkins’ leadership. [2/22/2005]
Absolute Trombone: A Review
By: Tom Ervin
Tom Ervin reviews an exciting release by Michael Davis and Hip-Bone Productions. "Absolute Trombone" features the writing of Michael Davis, and the solo work of such notables as Urbie Green, Bill Watrous, Conrad Herwig and David Taylor. [11/1/1997]
Abstracts: A Review
By: Jeff Albert
Music can have many layers of meaning. Often the composer's intended meaning is spelled out through a title or lyrics, or written about in the liner notes, or depicted in the album art. Other times, the music is simply about music, and it is left to the listener to discern meaning. The latter is the case with Abstracts, the excellent new CD from Jacob Garchik. [11/25/2005]
All Day Meeting and Dinner on the Ground: A Review
By: John Seidel
This is altogether a fine recording and an excellent representation of the ancient and venerable combination of trombones and organ. [9/19/2000]
An Evening from the 18th Century: A Review
By: Mike Hall
Ronald Barron has assembled a fine group of colleagues to collaborate on an alto trombone project that focuses on some of the most well known repertoire for the instrument, both original works and a transcription. An Evening from the 18th Century will please all who appreciate music of this era. [9/1/2006]
Anew At Home: A Review
By: Douglas Yeo
Norman Bolter, trombonist with the Boston Symphony, has released a solo trombone album which sets new standards not only of playing, but of musical depth, integrity and atmosphere. "Anew At Home" will cause all who listen to it to reflect on music which reaches to a very deep, personal level. [11/1/1998]
Arban Complete Method for Trombone and Euphonium: A Review
By: John Seidel
In this new edition, published by Encore Music, the comments of Messrs. Alessi and Bowman are presented unencumbered by pre-existing editorial material. Both of these gentlemen bring impeccable credentials to the task, and their comments provide wonderful insights into each of their individual approaches to musical and technical matters. [5/9/2001]
Arcangelo Corelli, Solo Chamber Sonatas Opus 5: A Review
By: Charles McKnight
The essence of late Baroque violin music can be found in the solo sonatas of Arcangello Corelli (1653-1713). Mike Hall of the University of Kansas has adapted the chamber sonatas (Nos. 7-12) of Corelli’s Opus 5 for alto trombone, harpsichord, and double bass. The performances on this recording are beautiful and persuasive, both musically and technically. [8/4/2004]
Arrows of Time: A Review
By: Brad Edwards
David Vining, Professor of Trombone at the Cincinnati Conservatory of Music, issues this confident solo recording featuring music from the present and the past. [4/26/2000]
Balanced Variation: A Performance Review
By: Michael C. McDonough
Bermudians heartily welcomed five new friends and wonderful performers from Costa Rica who on Friday February 7th, 2003 gave us a hefty dose of both balance and variation. [2/26/2003]
Beast: A Review
By: George Astling
Beast, by trombonist David Manson, presents 5 electro acoustic works; four for live trombone and tape, and one for radung and guitar. Manson presents a very solid and virtuosic performance and all the pieces are crafted by composers comfortable in the mediums they have chosen. The technology that is used in the pieces and the virtuosity of the performer do not over shadow the artistic ideas of the individual works. [10/10/2004]
Beautiful Dancer: A Review
By: Craig Brenan
Carelli, while being a trombonist, and a skilled one at that, really uses this album to showcase his considerable vocal talents. Carelli offers eleven selections, all but one featuring vocals as well as trombone. [1/6/2002]
Bedlam in Bethlehem: A Review
By: Richard Human, Jr.
A recording of Christmas music for trombone quartet and quintet by the Pacific Trombone Quartet and guest artist Ian McDougall and Annabelle Vitek. [12/19/2003]
Blues for Cook: A Review
By: Tom Ervin
The majority of the works on this release are well known tunes, presented in the time-honored standard mainstream and bebop format. There's a pleasant variety of tempi and styles, and the mix is almost always very good indeed. The trombone sound is particularly well recorded. [1/1/1999]
Bone-Alone: A Review
By: Dean Olah
Elias Faingersh is obviously a talented and creative trombonist who has explored his own musical personality to produce these compositions. This CD is not the typical recording of mainstream trombone music. [9/20/2001]
Bundee Brothers Bone Band: A Review
By: Adam Gaines
If you're looking for the most artistic trombone CD release this year, look elsewhere. But if you're a trombone junkie who would love to hear a couple of the instrument's most powerful and wild players romping through a mosaic of different types of jazz, this is the CD for you. [5/19/2005]
Cadenza for David's Concertino by Werner Michel: A Review
By: Walter Barrett
Werner Michel's Cadenza is a worthy addition for anyone performing the Concertino. If anyone is interested in making up their own cadenza (for any concerto), it will also serve as a fine example of how it should be done. [5/30/2002]
Cantare: A Review
By: David Vining
This composition lasts about 4 minutes and is written in ABA form. [5/28/2003]
Choral, Cadence et Fugato by Henri Dutellieux: A Review
By: David Vining
Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming. It is a well crafted virtuosic piece from the French repertoire deserving of more attention from trombonists looking for something substantial to include on a recital. [2/10/2003]
Christmas Time is Here by Dan Gottshall: A Review
By: Richard Human, Jr.
This is a fun holiday recording by versatile vocalist and trombonist Dan Gottshall. [12/6/2003]
Circuit Training: A Review
By: David Wilken
A review of Peter Gane's method for young trombonists; published by Warwick Music. [9/1/1997]
Close Your Eyes...and Listen: A Review
By: Peter Madsen
Mike Fahn established himself years ago on both coasts as a master jazz musician and virtuoso valve trombonist, but according to Howard Mandel’s liner notes Fahn considers Close Your Eyes…and Listen (released in 2002) to be his true debut album. Mike Fahn’s creativity as a musician, composer, and arranger make this a unique addition to one’s CD collection. [9/2/2005]
Concertino in F for Bass Trombone and Piano by Ernst-Thilo Kalke: A Review
By: Dennis Clason
This work is suited to a good college player, or perhaps a very mature high school bass trombonist. It represents a welcome addition to the solo repertoire for the bass trombone. [6/3/2002]
Convergence: A Review
By: Michael Lawson
Like a fine cognac, Chris Brubeck's compositions go down smooth and mature with age. His penchant for jazz, blues and rock 'n roll find a home in full size orchestrations with aplomb. Those familiar with his Bach to Brubeck album will not find dissappointment in this latest offering, Convergence. [9/1/2006]
Cornerstone: A Review
By: Michael Brown
Douglas Yeo, bass trombonist with the Boston Symphony, has obviously crafted a recording that is a labor of love. This collection serves as an evangelical witness to his deeply held Christian beliefs and as a fine example of his lyrical musicianship. [3/1/2000]
Crossroads: A Review
By: Jeff Albert
Tim Coffman presents a solid set of compositions by noted hard bop heavies, along with three standards and an original. This disc is about celebrating the lineage of mainstream modern jazz. The crisp arrangements are performed with skill and conviction. [4/27/2007]
Czech Trombone Treasures: A Review
By: Mike Lomas
This CD could be a valuable introduction to the sort of music played by Czech trombone choirs, and in particular showcases the contents of Blahnik's three volumes of arrangements of trombone choir music: "Prague Trombones," "New Prague Trombones" and "Encore! Prague Trombones." [4/28/2001]
DidgeriBone: A Review
By: Douglas Yeo
Sven Larsson is an accomplished player, and while even a relatively short CD of free improvisation with overdubbed bass trombone and didgeridoo may wear thin on some listeners, there is an undeniable appeal to his efforts. [3/11/2002]
Divertissement: A Review
By: Michael Huff
The music on Archibald's CD entitled Divertissement was initially intended to expose young performers and listeners to classic melodies by composers of the 19th and 20th centuries. The trumpet playing is powerful, sensitive and executed with a distinctive, beautiful tone. The ensemble between Mr. Archibald and Ms. Edwards is excellent and the duo seems to convey successfully the enjoyment of performing together. [9/1/2006]
Domine, Salva Nos: A Review
By: Jim Sparrow
Robert Holland gives us a fresh stylistic challenge in his setting of Domine, Salva Nos. This wonderful work is a representation of imitative techniques used by composers of the period. This is an outstanding vehicle to develop nuances of articulation, balance, blend, and dynamics. [4/14/2005]
Doug Yeo Clinic at North Central College
By: Gordon Bowie
Naperville, Illinois, was the site of a terriffic experience for a group of about 25 trombonists from a wide geographic area who attended the Low Brass Workshop there from August 23 to 25. The three-day event was organized by Tom Izzo and hosted by North Central College. The featured clinician and recitalist was Doug Yeo, whose classes and performances made the event truly extraordinary. [3/1/1999]
Dreams and Realities: A Review
By: Jeff Albert
Dreams and Realities by the Ansgar Striepens Quintet with guest John Abercrombie is an enjoyable new offering from the German label Laika-Records. [11/9/2003]
Duo for Trombone and Harp by Braxton Blake: A Review
By: Walter Barrett
Performers and audiences will find Duo for Trombone and Harp, by Braxton Blake, to be both familiar and challenging, and a satisfying exploration of some of the sounds available to this combination of instruments. [6/18/2002]
Easy Jazzy Etudes: A Review
By: Craig Brenan
Mark Nightengale expands his pedagogical publications with this book of jazz etudes for the younger trombonist. [8/8/2001]
Edenderry: A Review
By: David Wilken
Marshall Gilkes’s debut solo album, Edenderry, will be a welcome addition to any jazz trombone fans’ CD collection. his project provides a number of different sides to his musical personality, ranging from straight ahead bebop to contemporary post-bop styles to a refreshing treatment of the Rogers & Hammerstien classic This Nearly Was Mine. Overall, this is a very enjoyable CD and we will hopefully be able to look forward to more solo work by Marshall Gilkes in the near future. [8/4/2005]
Eight Preludes, Op. 34: A Review
By: Richard Human, Jr.
Without the knowledge that they were originally composed as piano preludes, a close look at these eight short pieces would suggest that they could have originally been written as trombone duets. This is due to the fact that excellent compositions "work" as music in almost any setting; and that Douglas Yeo, bass trombonist of the Boston Symphony, has chosen from the original twenty-four preludes very well. [1/1/1998]
Excalibur: A Review
By: Bob Bernotas
Inventive new big band CDs are rare. Important new jazz trombone CDs are even rarer. And so, Excalibur by the Steve Wiest Big Band is a double treat. Each track is like a bold journey into uncharted territory, exploring lands previously unknown, but ultimately inviting and friendly. [10/20/2006]
First Song by Ben van Dijk: A Review
By: Donn Schaefer
With the release of his second solo CD, Dutch virtuoso Ben van Dijk plumbs the darkest and deepest depths of music for bass trombone. Richly expressive playing illuminates the way for the listener to follow. [7/24/2004]
Fishleather Jacket: A Review
By: Jeff Albert
One aspect of jazz that often lacks the genre’s requisite creativity is instrumentation. Trumpet, sax, trombone, piano, bass, drums, and guitar seem to have the jazz world’s instrumental preferences locked up. A euphonium is rarely seen even in the depths of a large jazz ensemble, much less out in front of a quartet. This is only one of the reasons that jazz euphoniumist Tom Ball’s independently released Fishleather Jacket is so fresh and rewarding. [8/25/2005]
Gallery: A Review
By: David Wilken
McKee's first album as a leader, is a long overdue chance for the listener to not only hear McKee stretch out and play some very well crafted improvisations, but also enjoy McKee's formidable skills as a composer/arranger. [11/15/1999]
Get 2 It: A Review
By: Bob Bernotas
Eubanks' most recent CD release, "Get 2 It," is unquestionably the best recorded example to date of the acoustic-electronic fusion that he has so successfully pioneered. [10/6/2001]
Gorgon: A Review
By: John Seidel
This is an outstanding recording that will appeal not only to trombonists but to the musical public at large. That the Trombone Concerto is included in the package and that it is a Pulitzer Prize winner played beautifully by one of the world's great trombonists can only enhance the cause of the solo trombone generally. We owe a great deal to Christopher Rouse, to Joe Alessi, and to the Colorado Symphony with its fine conductor, Marin Alsop. The least we can do is buy the record. [9/1/1997]
Grand Chorus in Dialogue and Praise to the Lord, the Almighty: A Review
By: Richard Human, Jr.
Arranged for ten-part trombone choir, both of these arrangements by Gary Bricault provide the ensemble and conductor with a number of musical challenges that once met will yield to a satisfying musical experience. [9/1/1998]
Harlequin for Bass Trombone and Piano: A Review
By: Brad Edwards
Considering the complexities of this work and Lipkis' own allusions to programmatic content, the fact that Warwick hasn't bothered to include explanatory notes is inexcusable. If you are in the mood for a real challenge, this work will offer plenty of them, both technically and musically. [5/30/2002]
Heart Disc: A Review
By: David Wilken
Trombonist Robert Bachner is not a well known name among jazz fans in the United States. With his debut CD, Heart Disc, American jazz fans will finally have the opportunity to hear Bachner’s music without needing to travel to his native Austria. In addition to Bachner’s very compelling trombone playing and composition his sidemen all deserve mention as important contributors to Heart Disc. Christian Maurer (saxophones), Reinhard Micko (piano), Uli Langthaler (bass), and Christian Salfellner (drums) play very expressively and interact extraordinarily well with each other on this project. [2/4/2005]
Home Cookin’ Fer Young ‘Uns: A Review
By: Peter Madsen
Willey does an excellent job of incorporating idiomatic jazz rhythms in a way that is attainable by “young ‘uns.” The rhythms, although notextremely complex, represent common syncopations found in standard jazz music that are sure to challenge the young, student without being overwhelming in difficulty. The duets could be a lesson assignment for a young high school student, or appropriate sight reading material for advanced high school students or early college students. [9/26/2004]
Homecoming by John Jensen: A Review
By: Jeff Albert
Musicians often get together with friends for a jam session, and later think, “We should have recorded that!” John Jensen did record it. [2/12/2003]
Hora Decima: A Review
By: Michael Huff
Formed in the early 1990s, the Hora Decima Brass Ensemble began as a monthly workshop experience for brass musicians in the New York City area. The playing on this CD is fantastic, the group seemed to be formed initially for the love of brass music and that enthusiasm comes through in their playing. It equals or surpasses the recordings made by many of the fine brass ensembles in existence today. [2/22/2005]
In and Out: A Review
By: Horace Maxile
Given Steve Baxter's impressive list of performers with which he has performed, it is no surprise that his first solo recording In and Out is also impressive. As composer and producer, Baxter offers a variety of tracks ranging from mid-tempo R&B grooves to heavy funk pockets to lush ballads. [9/8/2004]
Introductory Studies in Tenor & Alto Clef for Trombone "Before Blazhevich": A Review
By: Andrew Glendening
Introductory Studies in Tenor & Alto Clef for Trombone “Before Blazhevich” by Brad Edwards is intended to bridge the gap in the clef study literature between the overly simplistic and the overly difficult and to provide an improved introductory experience to the second section of the Blazhevich Clef Studies. [3/18/2003]
It's Fine...It's Andy: A Review
By: Bob Bernotas
Although this new CD by talented West Coast trombonist Andy Martin is dedicated to Rosolino’s memory, it is not one of those slavish, and oh, so dull, “tribute albums.” While others may believe that “imitation is the sincerest form of flattery,” Martin understands that, in jazz, flattery will get you nowhere. So he pays tribute to Rosolino’s legacy by absorbing it and building upon it to create his own personal musical statement. [5/7/2003]
ITF 2003: A Review
By: Michael C. McDonough
The 32nd International Trombone Festival was recently held in Helsinki, Finland, and included non-stop learning and listening from 8:00 AM until the wee hours of the morning from August 5th through the 9th, 2003. [8/26/2003]
Jazz Improv Materials Handbook Complete: A Review
By: Michael Dease
Rich Willey utilizes his considerable experience asa performer, composer and pedagogue to craft the Jazz Improv Materials Handbook, one of the more practical jazz methods in publication. s a musician equally at home in New York City
and the university lecture hall, Willey brings a
unique perspective to his jazz method. >P [1/30/2008]
Ku-Umba: A Review
By: Jeff Albert
T.E. Priemon is an artist. He uses photographic techniques to interpret musical performances through a concept he has named photonality. His most recent book is entitled “Ku-Umba”, and trombonist Ku-Umba Frank Lacy serves as both the inspiration and visual focus of this particular collection of art. [9/2/2003]
Le Monde Du Serpent: A Review
By: Wade Rackley
It is an all-encompassing tour of the history, repertoire, and capabilities of this seemingly neanderthal member of our low brass family, and is a musically enjoyable addition to our catalogue of low brass recordings. [11/23/2003]
Live at Barbes: A Review
By: Jeff Albert
My first thought upon putting Live at Barbes in my CD player was, "this sounds like fun." The Four Bags draw an amazing variety of textures and colors out of their four instruments. If you bring a sense for adventure and a sense of humor, The Four Bags can show you a good time. [3/9/2007]
Lonely Town by Alan Kaplan: A Review
By: Jeff Albert
There is a great probability that you have already heard Alan Kaplan's trombone, and an equal probability that you did not know who you were hearing at the time. [5/31/2002]
Looking for the Natural Way: A Review
By: David Vining
This is a valuable and entertaining book which should be added to all serious brass musicians' "required reading" list. [4/8/2002]
Mastering the Trombone: A Review
By: John Seidel
I have always regarded Ed Kleinhammer's book, The Art of Trombone Playing , as an indispensable text for the aspiring trombonist. I credit many of the thoughts and exercises that may be gleaned from this excellent guide with contributing in no small way to my own development as a performer and teacher. [3/1/1998]
Maya by David Gibson: A Review
By: Jeff Albert
For those of you with doubts about the future of modern jazz trombone, let Maya by David Gibson assuage your fears. [10/10/2002]
Melody in A Major: A Review
By: David Vining
This wistful melody was originally written for violin and found its way into the repertoire of none other than Fritz Kreisler. The tune is a simple ABA form in slow 6/8 time with an eighth note pulse throughout and is 41 measures long. [5/28/2003]
Modern Guide for Trombonists and Other Musicians by Richard Begel: A Review
By: Douglas Yeo
"A Modern Guide for Trombonists and Other Musicians" continues in the
rich tradition exemplified by Kleinhammer's "The Art of Trombone
Playing." This is not a
method book or collection of etudes, rather the reader is pulled into
Begel's own rich experience as a student of the trombone for a
sensible, focused and useful journey through the main influences in
his own musical pilgrimage.
[3/25/2003]
Movin' Up: A Review
By: Craig Brenan
Larry McClellan's album gives the listener an opportunity to hear the writer, educator, administrator and trombonist perform in what is an obviously comfortable setting. [11/15/2000]
Multiplicity & 20 Jazz Etudes: A Review
By: Tom Brantley
Mark Nightingale, the reknowned jazz trombonist from England, has written two jazz etude books, with accompanying CDs, for tenor trombone. The first, Twenty Jazz Etudes for Tenor Trombone, appeared in 1995 from Warwick Music. The second, Multiplicity, was released in 1996 by the same publisher. [9/1/1997]
Musical Impromtu by Vladislav Blazhevich: A Review
By: David Vining
Musical Impromtu, by Vladislav Blazhevich, is a short work scored for 12 trombones. This piece is in Blazhevich’s typical style of composition and its melodies could easily have come from the Clef Studies. It is charming and clever in that it offers a great deal of musical variety in a very short time span. [8/25/2004]
Nana: A Review
By: Dean Olah
Nana, the Spanish word for lullaby, may seem like a misnomer for a CD of a bass trombonist, but with help from a collection of world-class musicians, Ben van Dijk has excelled at presenting his horn as a truly melodic instrument worthy of this title. [2/18/2001]
New York Legends - Joseph Alessi: A Review
By: John Seidel
One in a series of recordings by Cala Records celebrating first chair players of the New York Philharmonic Orchestra, this CD provides trombone aficianados with plenty of opportunity for a thorough look at the many facets of one of America's premier trombonists. [3/1/1998]
Northern Soundings: A Review
By: Dean Olah
Northern Soundings is a fine recording of both solo and ensemble music for trombone by Canadian composers. [4/20/2003]
Obscurity by Rick Simerly: A Review
By: Jeff Albert
Recorded in July of 2002, Obscurity features Rick with several of his fellow faculty members from the Jamey Aebersold Summer Jazz Camp, playing a nice mix of originals and jazz standards. [6/2/2003]
Out of a Dream, Loves Songs: A Review
By: Kelly Beaman
In what I believe is his seventh auditory offering as a soloist, Harry Watters chooses a path of romanticism, with nine of the best and most classic Love Songs, as the album is aptly titled. So, put this CD on, light some candles, grab your mate, scatter some sawdust on the hardwood floor (sorry if you have carpeting) and get busy polishing it. [6/18/2005]
Panis Angelicus: A Review
By: Brad Edwards
This work is a useful, practical addition to the trombone choir folder which can be used to feature a younger soloist. [4/8/2002]
Passageways: A Review
By: David Vayo
This self-produced collection includes three compositions for brass, two for piano, and two for strings; each depicts a scenario described by the composer in the liner notes. When this composer delves most deeply inside himself, he comes up with the finest pearls. [9/14/2004]
Pioneers in Brass CD-ROM: A Review
By: Dean Olah
Pioneers in Brass, first published in 1965, is a collection of profiles and photographs of the prominent brass players of the early 20th century. Previously released in three print editions, it is now available on a CD-ROM format that includes original recordings. [10/24/2001]
Plunge - Fall With Grace: A Review
By: Chris Waage
Chris Waage reviews this very different recoding by Plunge, featuring arranger and trombonist Mark McGrain. [9/28/1998]
Prelude and Fugue in D Minor (BWV 554) for Tuba-Euphonium Ensemble: A Review
By: Mark Mordue
This arrangement of Bach's Prelude and Fugue (BWV 554) works surprisingly well for Tuba - Euphonium octet. [11/15/1999]
Proclamation & In Search of a Dream: A Review
By: Gordon Bowie
Proclamation, a ground-breaking CD by Boston Symphony bass trombonist Douglas Yeo, is described by its executive producer as "a recording in celebration of the bass trombone." What a splendid celebration it is! [1/1/1998]
Reel Technique: A Review
By: David Vining
A thoughtful approach will be needed to preserve the integrity of the original tunes within the context of a reasonable tempo and good musicianship. [3/11/2002]
Return of the Alto: A Review
By: Brent Phillips
Upon the first hearing of this CD I was initially struck by the wide range of stylized and varied material. Mr. Baron in his usual fashion demonstrates exceptional technique and near flawless intonation throughout this disc. We should all tip our hats and present arms to Mr. Barron and his Return of the Alto. [4/21/2005]
Riffs & Dances: A Review
By: Brad Edwards
This is a moderately challenging, through-composed piece for unaccompanied trombone ranging from pedal B-flat to high D-flat (the F-attachment range isn't used, though). [9/17/2003]
Rochut for Two by Art Lieby: A Review
By: Robert Holland
Art Leiby has taken Tom Ervin's lead and supplied a second volume of counterparts to the Bordogni vocalises, most widely known in the edition prepared by Johannes Rochut and published by Carl Fischer. [5/31/2002]
Royal Opera House Brass Soloists' On The Town: A Review
By: Michael Huff
Any fan of the Philip Jones Brass Ensemble or the London Brass will vastly enjoy this recording and be pleased to have it as part of their listening library. [12/16/2007]
Simple Complexity: A Review
By: Tom Brantley
Simple/Complexity -- Rick Simerly's new CD release -- is a straight ahead recording. Not in the sense of a Basie straight ahead, but in the sense of a straight ahead small group jazz. All of the players on this recording are seasoned, accomplished musicians. [1/1/1999]
Sonata for Trombone by Derek Bourgeois: A Review
By: David Vining
This is an epic work, spanning three octaves and lasting some twenty minutes with many changes in mood and style. [3/11/2002]
Spectacular Trombonists: A Review
By: Mike Lomas
Compiled from a number of previously-issued discs, the six tracks on this CD showcase six virtuoso players at the very top of their form. [4/8/2003]
Sunday Drive: A Review
By: Dean Olah
For fans of both smooth jazz and trombone or for listeners looking for an introduction to this mellow music, this CD is a must. [4/15/2002]
Take 1: A Review
By: David Oliver
The newest CD release from Boston Symphony bass trombonist Doug Yeo is unique in several ways. First, it includes three performances from his undergraduate days at Wheaton College, the first of which was in 1975, then we jump to three 1997 performances. Second, since Mr. Yeo minored in percussion at Wheaton, he's included an arrangement of Joplin's Solace which he performed on vibraphone. Third, all of the performances were recorded live, meaning that no multiple takes or editing was employed in the production of the disc. Hence the name "Take 1." [9/1/1998]
The American Trombone: A Review
By: Dean Olah
The charter of his book is to produce a total trombone technique that works equally well in American idioms such as Jazz, Pop and the various Afro-Cuban styles, as well as the more traditional Western European orchestral situations. [1/6/2002]
The Bordogni Vocalises by David Schwartz: A Review
By: Kedrik Merwin
This new publication reasserts Bordogni's original numbering, tempos, and keys. However, Schwartz has taken great pains to help trombonists familiar with Rochut's version to understand the original system. [4/19/2002]
The Golem Shuffle by Dan Gottshall: A Review
By: Craig Brenan
Gottshall has produced a very interesting hybrid, utilizing the most modern elements of Jazz and Hip-Hop, based on a firm foundation of good tunes with exciting and creative execution by each member of the ensemble. [6/1/2002]
The Island of Dr. Trombone: A Review
By: Mike Lomas
This CD consists of a collection of what one would describe as easy-listening jazz numbers with a tropical feel, featuring Harry Watters, jazz trombonist with the Army Blues. [11/15/2000]
The Lexingport Project: A Review
By: Rick Marple
Youthful humor seems to carry through this delightfully fresh CD. The group name comes from the Greek god Momus, inspirer of writers and poets, the god of laughter, mockery and ridicule. [5/9/2003]
The London Trombone Sound: A Review
By: John Seidel
Recorded by 16 trombonists drawn from the seven top orchestras in London, this album makes for enjoyable listening for trombone fans of all stripes. The sixteen that comprise the nucleus are joined by rising young London-based jazz trombonist, Richard Edwards on the jazz and rock(!) tunes, and by about 60 other trombonists scrounged from London orchestras, bands, and music schools for the grand finale, a clever arrangement of 76 Trombones for 76 trombones! [9/1/1996]
The Other Side: A Review
By: Bob Bernotas
In 1992, at the age of 28, Latin jazz trombonist Chris Washburne was diagnosed with nerve cancer in his face. The doctors gave him a 50 percent chance of surviving the operation, a zero percent chance of ever playing the trombone again. So, just before checking into the hospital, he insisted on playing one last gig. When the night ended he turned to his band and told them, "SYOTOS": "see you on the other side." [4/8/2002]
The Prowl: A Review
By: Peter Madsen
[9/8/2004]
The Takeover: A Review
By: David Wilken
Trombonist Michael Dease’s and saxophonist Chris Madsen’s collaborative effort, The Takeover, shows off both musicians equally well as performers and composer/arrangers. After listening to this debut CD it’s quite clear why Dease and Madsen are in demand as sidemen for notables like Wynton Marsalis, Jimmy Heath, Wycliffe Gordon and the Lincoln Center Jazz Orchestra. [1/12/2006]
The Wallace Practice Mute: A Comparative Review
By: Chris Waage
Using a practice mute has become a necessary evil for many trombonists. This reviews offers a comparison of the major practice mutes available, and recommends the Wallace mute for its easy of playing and light weight. [6/11/2000]
The Yamaha Silent Brass System for Trombone: A Review
By: Larry Roth
While not a replacement for pacticing on the open trombone, Yamaha's Silent Brass System has some distinct advantages for the busy and travelling trombonist. [8/26/2001]
Thomas Morley's De Profundis Clamavi, transcribed by Robert Holland: A Review
By: Brad Howland
With such a large pool of Morley's music to draw upon: why haven't we arranged more of it? De Profundis Clamavi appears to be an attempt to change this situation. It’s not one of the madrigals, but an example of Morley’s liturgical music, a Latin motet. [1/17/2003]
Tipbooks: A Review
By: Dean Olah
The intended audience for the Tipbook Trumpet & Trombone is students, their parents and amateur musicians. However, there is such vast information and details covered in this slim 132 page book that trombone or trumpet players of any level would enjoy reading it. [9/23/2003]
To The Sky: A Review
By: Craig Brenan
To The Sky is a big band offering by trombonist/composer/arranger Ryan Haines which depicts a musical perspective of the United States Air Force. This 10 track set, originally conceived as The Blue Sky Suite was designed to appeal to both the general public and fellow musicians. [9/28/2001]
Too Scared To Play: A Review
By: Adam Meyer
From the very first notes, the technical facility of High Anxiety Bones on their album Too Scared to Play is clearly evident and doesn’t fail to impress. From the solid high-register playing of Steve Witser through to the robust bass trombone sound of the late Ray Premru, one can find an abundance of inspiring performance. But it is the work these gentlemen achieve as a quartet that is truly exceptional. [8/18/2005]
Top Brass by Bob Bernotas: A Review
By: Michael Brown
For readers interested in the lives, philosophies, and idiosyncrasies of famous jazz brass players, this book will bring a great deal of pleasure and information. [6/1/2002]
Traveling Hard: A Review
By: Michael Dease
The Robert Bachner Quintet's second album features five highly
sensitive, well-versed musicians putting the music
first. Bachner's compositional style
shows a strong influence from Wayne Shorter and
Herbie Hancock, and presents thoughtful and memorable
melodies supported by deft harmonic structures. This recording would make a fine
addition to your cd collection, and serves as a firm
reminder that jazz music is alive and well in Austria. [1/24/2008]
Trombone and Strings: A Review
By: Mike Lomas
The trombone soloist, Joe Burnam (principal trombone of the Turin Radio Symphony Orchestra) can be proud of this CD. It showcases a great deal of new and substantial music, some of it commissioned by Burnam, which might form the basis for an interesting recital. [4/15/2002]
Trombone con Sazon by The Latin-Jazz Coalition led by Demetrios Kastaris
By: Bob Bernotas
In the seventeen years since Kastaris founded his Latin-Jazz Coalition, “El Griego Rumbero” (“The Greek Rumba Player”) and his band have performed regularly in and around New York City. Now, with the help of some stellar guest artists, they have made a most welcomed recording debut with this engaging and excellent CD, Trombón con Sazón (Trombone with Spice). [2/12/2003]
Trombone Day III: A Review
By: Michael C. McDonough
Trombone Day III took place at Bantry House in County Cork, Ireland on February 21, 2003, and created feelings of inspiration, hope and excitement. [5/7/2003]
Trombone Essentials: A Review
By: David Wilken
Trombone Essentials, 11 Recital and Contest Solos for Tenor and Bass Trombone, edited by Douglas Yeo, is a well put together collection of new solos specifically arranged for the intermediate trombonist. [3/1/2000]
Trombone Journey by Jan Reinhelt: A Review
By: Gabriel Langfur
I very much enjoyed reading through these duets with another professional player while on a break in a rehearsal, and I wouldn’t hesitate to use them as a teaching tool with an advanced middle school student, or to assign a set of them to a pair of high school students to perform on a recital. [10/19/2002]
Trombonly & Friends: A Review
By: Richard Human, Jr.
Trombonly has performed extensively across Europe, including a performance at the 2000 ITF, at which Trombonly was honored with the Emory-Remington award. After listening to this disc, one will realize that this honor is richly deserved. [10/9/2000]
TUNEUP Intonation Training System: A Review
By: Richard Human, Jr.
The philosophy behind Stephen Colley's TUNEUP intonation training system is to develop an aural "bootcamp" to help the musician develop improved intonation free of the visual crutch of a chromatic tuner. [9/20/2001]
Twentieth-Century Brass Soloists: A Review
By: Michael Brown
The lives of composers and conductors are carefully documented with historical research and pianists, violinists, and vocalists have their share of musicological research. Michael Meckna has done extensive study into the lives, recordings, and legacy of 100 significant brass performers of this century. He contributes a balanced list of orchestra, recital, and jazz performers with an appropriate balance of high and low brass performers. [11/1/1997]
Two of a Mind by Douglas Yeo and Nick Hudson: A Review
By: Gordon Bowie
Like Douglas Yeo's previous recording venrtures, this is an eclectic mix of material. Unlike the previous albums, this includes the added element of sharing the solo honors with Nick Hudson, principal trombone of the Williams Fairey Band. [6/18/2002]
Wondrous Essence, An Amazing Spirit: A Review
By: Dean Olah
The undertaking of recording a CD of trombone students is a terrific idea that undoubtedly is an invaluable learning experience for all involved. The production responsibilities appear to be handled solely by the students. Projects like this should be part of every major music education curriculum and Mr. Niemisto needs to be commended on his initiative. [6/12/2001]
X Over Trombone: A Review
By: Douglas Yeo
With the flood of trombone recordings on the market these days - with much more of dubious than essential quality competing for attention - it is refreshing to see Over Trombone provide us with both a look back and a look forward. [3/12/2008]
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